Luxury Liner
This still gets as much play as any recording in my collection because it simply is a timeless set of American music by an ensemble of rising young stars who were on fire with creativity. Luxury Liner was the vehicle that allowed Emmylou Harris and the Hot Band to show the world the amazing complexity -- and greatness of their musical soul. Harris, Lee, Skaggs, Crowell, DeVito, et. al. -- Man, what a crew!
The album itself doesn't have a weak track. But obviously I like some tunes more than others. Here are my personal favorites: Track one, side one, the title track -- and immediately you get hit upside the head with Harris' vocals and Albert Lee's incredible Telecaster licks. I remember reading where Joe Walsh called Lee's playing on this tune "incomprehensible." As in really, really hard to try and duplicate. Try James Burton on speed, playing flawlessly and maybe you might come close to Albert Lee's work on Luxury Liner. The next tune, "Pancho and Lefty," features Emmy's haunting vocals, that give this great song just the right treatment. No other recorded version even comes close to this performance. It's one of the all time great country tunes and it very well might make you cry. When I Stop Dreaming, You're Supposed to be Feeling Good (another highlight tune), and I'll be Your San Antonio Rose round out the first side.
Side two starts out with the Chuck Berry opus, C'est la Vie (You Never Can Tell). It's a rollicking, fun tune that is probably better than Berry's original. Harris vocals are sassy and strong, and the band rocks the tune just right. The next tunes are Making Believe and Hello Stranger, followed by Rodney Crowell's, She, that just might be the sleeper tune on the entire album. It's a ballad, and simply a great performance by Ms. Harris, who paints beautiful word pictures with Crowell's lyrics. The Hot Band provides a spare, tastefully beautiful backing. In point of fact, one of the real strong points on the album is Emmylou Harris credibility with a song. She makes you believe the tunes are autobiographical -- the hallmark of a great vocalist. The album closes with Tulsa Queen -- another haunting tune that for some reason or other always brings to mind hot summer nights at lonely train stations somwhere out on the High Plains. I usually listen to this tune several times because of that lonesome quality that this tune brings out. More great work here from the Hot Band. But what can I say? This was one great group of musicians!
This CD should be owned by any serious collector of American music. It was great when it came out -- it featured some outstanding young musicians who all went on to become stars in their own right -- and it really moved Emmylou Harris into the forefront of country/rock artists. The album came out in the late/mid-seventies -- a period that I call the "cosmic cowboy" era that had alot of movement in country music toward a more rootsy, hip sound. There were alot of young artists, Like Gram Parsons, Chris Hillman and the Flying Burrito Brothers -- combined with the older rebels, like Willie Nelson, Jerry Jeff Walker,and Waylon Jennings that were putting out music that was the antithesis of the more lush Nashville "countrypolitan" sound that was dominating country music top-40 in the 70s. Emmylou Harris and the Hot Band were kind of at the vanguard of this movement, and Luxury Liner stands out as one of the great pieces of work of this period.
I think that when people look back on Harris' career, they'll look to Luxury Liner as her breakout album that demonstrated most emphatically that Emmylou Harris was/is an important artist of great depth.
The album itself doesn't have a weak track. But obviously I like some tunes more than others. Here are my personal favorites: Track one, side one, the title track -- and immediately you get hit upside the head with Harris' vocals and Albert Lee's incredible Telecaster licks. I remember reading where Joe Walsh called Lee's playing on this tune "incomprehensible." As in really, really hard to try and duplicate. Try James Burton on speed, playing flawlessly and maybe you might come close to Albert Lee's work on Luxury Liner. The next tune, "Pancho and Lefty," features Emmy's haunting vocals, that give this great song just the right treatment. No other recorded version even comes close to this performance. It's one of the all time great country tunes and it very well might make you cry. When I Stop Dreaming, You're Supposed to be Feeling Good (another highlight tune), and I'll be Your San Antonio Rose round out the first side.
Side two starts out with the Chuck Berry opus, C'est la Vie (You Never Can Tell). It's a rollicking, fun tune that is probably better than Berry's original. Harris vocals are sassy and strong, and the band rocks the tune just right. The next tunes are Making Believe and Hello Stranger, followed by Rodney Crowell's, She, that just might be the sleeper tune on the entire album. It's a ballad, and simply a great performance by Ms. Harris, who paints beautiful word pictures with Crowell's lyrics. The Hot Band provides a spare, tastefully beautiful backing. In point of fact, one of the real strong points on the album is Emmylou Harris credibility with a song. She makes you believe the tunes are autobiographical -- the hallmark of a great vocalist. The album closes with Tulsa Queen -- another haunting tune that for some reason or other always brings to mind hot summer nights at lonely train stations somwhere out on the High Plains. I usually listen to this tune several times because of that lonesome quality that this tune brings out. More great work here from the Hot Band. But what can I say? This was one great group of musicians!
This CD should be owned by any serious collector of American music. It was great when it came out -- it featured some outstanding young musicians who all went on to become stars in their own right -- and it really moved Emmylou Harris into the forefront of country/rock artists. The album came out in the late/mid-seventies -- a period that I call the "cosmic cowboy" era that had alot of movement in country music toward a more rootsy, hip sound. There were alot of young artists, Like Gram Parsons, Chris Hillman and the Flying Burrito Brothers -- combined with the older rebels, like Willie Nelson, Jerry Jeff Walker,and Waylon Jennings that were putting out music that was the antithesis of the more lush Nashville "countrypolitan" sound that was dominating country music top-40 in the 70s. Emmylou Harris and the Hot Band were kind of at the vanguard of this movement, and Luxury Liner stands out as one of the great pieces of work of this period.
I think that when people look back on Harris' career, they'll look to Luxury Liner as her breakout album that demonstrated most emphatically that Emmylou Harris was/is an important artist of great depth.
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