Old ways
One of Neil Young's strong suits (among many) is that he is unpredictable. At no time was this more apparent than during that phase in the mid-80s when he went from techno to rockabilly to country to blues-- a period in his career that I call "genre hell." Eventually, Neil pretty much went back to being Neil, and all was well again.
Unsurprisingly, Neil's music during this time was wildly uneven. Case in point: his "country" album, Old Ways. Some cuts are essential: "My Boy" and "Bound For Glory" channel the genre in a way that doesn't submerge Neil's genius for melody and heartfelt lyrics. Other tracks, however, seem (in the words of another reviewer) like a country-music "caricature." For example, the Jew's harp solos in "Get Back To The Country" are flat-out silly. A couple of tracks, in fact are downright unlistenable ("The Wayward Wind," "Misfits")-- quite a statement from a hardcore Neil-ist such as myself.
Also of interest are the appearances by a variety of country/bluegrass luminaries, such as Willie Nelson, Bela Fleck and the late, great Waylon Jennings.
While this album is still a worthwhile chapter (and, a mercifully brief one) in the Neil Young lexicon, don't expect something as stellar as "Harvest," "Comes A Time" or "Harvest Moon."
Unsurprisingly, Neil's music during this time was wildly uneven. Case in point: his "country" album, Old Ways. Some cuts are essential: "My Boy" and "Bound For Glory" channel the genre in a way that doesn't submerge Neil's genius for melody and heartfelt lyrics. Other tracks, however, seem (in the words of another reviewer) like a country-music "caricature." For example, the Jew's harp solos in "Get Back To The Country" are flat-out silly. A couple of tracks, in fact are downright unlistenable ("The Wayward Wind," "Misfits")-- quite a statement from a hardcore Neil-ist such as myself.
Also of interest are the appearances by a variety of country/bluegrass luminaries, such as Willie Nelson, Bela Fleck and the late, great Waylon Jennings.
While this album is still a worthwhile chapter (and, a mercifully brief one) in the Neil Young lexicon, don't expect something as stellar as "Harvest," "Comes A Time" or "Harvest Moon."
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