Saturday, May 19, 2012

Byrds- Turn, Turn, Turn

Turn, Turn, Turn
The group's debut "Mr. Tambourine Man" had been largely carried by vocalist Gene Clark's creative originals, and four Bob Dylan covers among others. Clark's songs also carry "Turn! Turn! Turn!" when it comes to the creative output of the bandmembers, but Roger (Jim) McGuinn was establishing himself as the counterpart to Clark's work. The love songs he co-wrote, 'It Won't Be Wrong' and 'Wait and See' (co-authored by budding Byrd David Crosby) were not up to the standards of those set by Gene Clark, but his arranging of folk standards and 12-string Rickenbacker playing show his influence. McGuinn brilliantly turns an old folk song 'He Was A Friend Of Mine' into a beautiful lament for John F. Kennedy, the additional lyrics McGuinn added delicately describing the tragic assassination of a president. Also a nice move is the jangle of 'Oh Susannah,' which features great interplay between McGuinn's Rickenbacker and Michael Clarke's drum kit. 'Satisfied Mind' is one of the best covers the Byrds ever did, sincere and simple, and covers of 'The Times They Are-A Changing' and 'Lay Down Your Weary Tune' helped convince Dylan himself that the group was a solid talent. He told McGuinn "Up until I heard this ['Lay Down Your Weary Tune'] I thought you were just another immitator."

But Gene Clark again eclipses with his love songs; one of the most creative ballad writers of all time, Clark's songs were never cliched or tongue-in-cheek, and always down-to-Earth. 'If You're Gone' has to be one of his most moving vocal performances ever. 'Set You Free This Time' and 'The World Turns All Around Her' display the kind of songwriting the pop world needs today. His 'She Don't Care About Time' single is fortunately included as a bonus track on this remaster, along with another Clark masterpiece 'The Day Walk,' better known as 'Never Before.'

The "Turn! Turn! Turn!" album was a make it or break it for the Byrds; during this short time they rivalled the Beatles, and the massive success of the title track solidified their stance, if only for a brief time. But the other ten songs were what proved the group's talent, avoiding sophomore slumps and delivering some of the 60s greatest music.

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