Thursday, March 7, 2013

Beefeaters

Beef Eaters
"The Beefeaters" was the name of the band before they changed it to "The Byrds". They released only one single, in 1964.  Jim Dickson, their manager, knew that they had to have a unique style. Therefore he decided that the group had to practice day in day out. From all the recordings they had already made the two songs "Please Let Me Love You" and "Don't Be Long" were selected as tracks for the single release, but Dickson insisted that those songs should be rerecorded with the help of session musicians. Ray Pohlman played the bass and Earl Palmer was hired for the drums. Jim McGuinn played his twelve string guitar and Gene Clark the rhythm guitar. The vocals were provided by McGuinn, Clark and Crosby. Jac Holzman, head of Electra Records, did not like the group's name JET SET, therefore he named them BEEFEATERS. This is the reason, why the first single release has got this unusual name.

Leadon, Hillman, Perkins- Ever Call ready

Ever Call Ready
Bernie Leadon
Chris Hillman
Al Perkins
 
Many years ago (22 to be exact) maranatha music released this gem of a project featuring a veritable hall of fame supergroup of musicians whose pedigree lines included the byrds, the eagles, the flying burrito brothers, bob dylan's rolling thunder review, souther-hillman-furay band, stephen stills' manassas etc.It wasn't a country rock project though but rather an affectionate nod to traditional bluegrass, performed with great affection. It was so well done that it made me into a fan. I was so thrilled to find out that Sierra Records had put it on Cd and re-released it. This should be in any country rock or folk buffs collection. Standout tracks are "I'm using my bible for a roadmap" and "Don't let them take the Bible out of our school rooms". "Boat of love" has some of the most exquisite vocal harmonies and all the musicians, especially Al Perkins and David Mansfield play with carefree but virtuotistic flair. IF you love the Desert Rose Band, as I do you'll love to hear Chris Hillman sing pure bluegrass - its wonderful!! 

Wednesday, March 6, 2013

Mark Andes

Marke Andes
 
Mark Andes (born February 19, 1948) is an American musician, known for his work as a bassist with Canned Heat, Spirit, Jo Jo Gunne, Firefall, Heart, and Mirabal.
Andes moved to Boulder, Colorado, where he lived in the basement of local musician Jeff Reaves. In 1975, he was recruited by former Flying Burrito Brothers vocalist Rick Roberts and former Byrds drummer Michael Clarke to form the country-rock band Firefall. For six years, Mark would be in a band that had a string of hit singles, including the Top 10 hit, "You Are the Woman." During the early 1980s, Andes also collaborated briefly with future Yes guitarist Trevor Rabin and future Quiet Riot drummer Frank Banali.

Following a move back to California, and some session work, Andes joined Heart. He appeared on their final album for Epic Records, Passionworks (1983), and remained with the band until 1993. During this time, Heart found mainstream success, with several number one singles, and a number one album, Heart (1985). After a decade with Heart, Andes returned to session work.

Doug Gray -Soul of the South

Soul of the South
 
 
The Soul of the South is an 8-song mini-LP of solo recordings made by MTB lead singer Doug Gray in 1981 and never released until now. Recorded with backing by members of The Marshall Tucker Band and produced by Billy Sherrill, these recordings shine a light on Gray s affection for soul music. Featured are rare compositions by Bobby Whitlock (of Derek and the Dominos) and a pre-fame Michael Bolton, as well as a cover of the 1969 smash hit More Today Than Yesterday, originally recorded by The Spiral Starecase.

Tuesday, March 5, 2013

Country Rock Family Tree

I found this online,and Is nice to have.  This tree, however is not complete and is limited to the bands shown at the top, Which doesnt include other key players in the genre such as new riders and pure prairie league. Youll have to click on it to read it.

Commander Cody-Too Much Fun

Too Much fun
Just bought this CD & I must say Commander Cody and the Airmen are a really good band! Their mix of boogie/woogie & western swing is very catchy & to think many of these cuts were recorded years ago. Check out their version of Smoke, Smoke, Smoke, which IMHO is superior to Asleep at the Wheels. Ray Benson's Hot Rod Lincoln version is almost a note by note copy of Bill Kirchen's with CC&LPAM. For the price this CD is a good deal.    This band takes some getting used too, the whole swing thing is not as pleasent sounding as traditional country rock like Pure Prairie League

Nashville West

Nashville West
Nashville West was a short-lived American country rock quartet that was briefly together in the late 1960s. The group comprised multi-instrumentalist Gene Parsons, guitarist Clarence White, singer-guitarist-fiddler Gib Guilbeau and bassist Wayne Moore. Parsons and White left the band to join The Byrds while Guilbeau later joined the Flying Burrito Brothers.

Along with the International Submarine Band, The Byrds and The Flying Burrito Brothers, Nashville West was among the pioneering groups of the country rock genre.

An album by Nashville West was released in 1976, about eight years after the band had broken up. The material on the Nashville West album was recorded during a club date in 1968.
In the mid-1960s, Gene Parsons and fiddler Gib Guilbeau, who had been earlier acquainted from their time together in a band called the Castaways, were hired for a recording session with the Gosdin Brothers' singing duo of Vern and Rex Gosdin. The session, being produced by The Byrds' Chris Hillman, included guitarist Clarence White, who had formerly played the bluegrass the Kentucky Colonels. Parsons, Guilbeau and White then went on to play on sessions together for several other country music artists and became the house band for Gary S. Paxton's record label, Bakersfield International Productions.[1]

In the course of their session work, Parsons and White devised the B-Bender, or Stringbender, a system installed on White's Fender Telecaster that made the instrument sound like a pedal steel guitar.

Eventually, Parsons, Guilbeau and White became a band, joining with fellow session player, bassist-vocalist Wayne Moore, who played in the Castaways with Parsons and Guilbeau.

The group was known by various names, including The Reasons, Gib Guilbeau and The Reasons, the Gary Paxton Band or Cajun Gib and Gene.[2] The Nashville West moniker was taken from the name of the El Monte, California club where they sat as the house band, and was the name of an instrumental song composed by Parsons and White.

Parsons and White were then asked to join The Byrds in 1969. White had already played on 1968's The Notorious Byrd Brothers and Sweetheart of the Rodeo. After Chris Hillman split from the Byrds with Michael Clarke and Gram Parsons (no relation to Gene) to form the Flying Burrito Brothers, White and Gene Parsons joined Roger McGuinn and John York to become full-fledged members of The Byrds. The resulting next album, Dr. Byrds & Mr. Hyde, featured White's and Parsons' signature instrumental tune, "Nashville West". White and Parsons were with the Byrds for the albums Live at the Fillmore - February 1969, Ballad of Easy Rider, (Untitled), Byrdmaniax and Farther Along.

When the original line-up of The Byrds reunited in March 1973 to record Byrds, White left the Byrds to join the bluegrass supergroup Muleskinner. He also played on a package tour with several other country rock pioneers at the time, including Gram Parsons. White then reformed his old band, the Kentucky Colonels, with his brothers, but was killed on July 14, 1973 in Palmdale, California, when he was struck by a car driven by a drunken driver.

Guilbeau went on to play sessions with Linda Ronstadt and joined a band called Swampwater. He also played with Sneaky Pete Kleinow in a group called Cold Steel. In 1974, Guilbeau and Gene Parsons joined the Flying Burrito Brothers.