Showing posts with label Bob Weir. Show all posts
Showing posts with label Bob Weir. Show all posts

Wednesday, January 16, 2013

Bob Weir

Bob Weir
Robert Hall "Bob" Weir (born October 16, 1947) is an American singer, songwriter, and guitarist, most recognized as a founding member of the Grateful Dead. After the Grateful Dead disbanded in 1995, Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, Scaring the Children, RatDog, and his newest band Furthur, co-led by former Grateful Dead bassist Phil Lesh.[1]

During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang most of the band's rock-n-roll tunes (Jerry Garcia sang The Dead's more melodic tunes). He is known for his unique style of complex voiceleading, bringing unusual depth and a new approach to the role of rhythm guitar expression.

On New Year's Eve, 1963, 16-year-old Weir and another underage friend were wandering the back alleys of Palo Alto, looking for a club that would admit them, when they heard banjo music. They followed the music to its source, Dana Morgan's Music Store. Here, a young Jerry Garcia, oblivious to the date, was waiting for his students to arrive. Weir and Garcia spent the night playing music together and then decided to form a band. The Beatles significantly influenced their musical direction. "The Beatles were why we turned from a jug band into a rock 'n' roll band," said Bob Weir. "What we saw them doing was impossibly attractive. I couldn't think of anything else more worth doing." Originally called Mother McCree's Uptown Jug Champions, the band was later renamed The Warlocks and eventually the Grateful Dead.

Weir played rhythm guitar and sang a large portion of the lead vocals through all of the Dead's 30-year career. In the fall of 1968, the Dead played some concerts without Weir and Ron "Pigpen" McKernan. These shows, with the band billed as "Mickey and the Hartbeats", were intermixed with full-lineup Grateful Dead concerts. In his biography of Jerry Garcia, Blair Jackson notes, "Garcia and Lesh determined that Weir and Pigpen were not pulling their weight musically in the band . . . Most of the band fights at this time were about Bobby's guitar playing."  Late in the year, the band relented and took Weir and Pigpen back in full time.)

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Wednesday, September 12, 2012

Bob Weir-Heaven Help the fool

Heaven Help the fool
This has been my favorite Bob Wier solo album for the year. Yeah, you could say Ace, but that's pretty much a Dead album, and most of those tunes did in fact become show staples. , none of the tunes on Heaven Help the Fool ever really made it into the Dead's rotation, although they flirted with the title track several times as an acoustic instrumental in 1980, tried out This Time Forever once in 78 acoustically, and did Salt Lake City in SLC some time in the late 80s/early 90s.

This is a very "polished" album, not surprising since Keith Olsen, the producer for the Dead's Terrapin Station, did the chores for this album as well. I think the results are far more successful in Bobby's case because the polish, southern LA studio sound really suits this set of songs. And BTW, he gets some great LA session musicians to back him and the results are pretty impressive. BTW--Billy Cobham just doesn't do "mediocre."

Sure it's a lot of cheesy 70s singer-songwriter "angst." Some of us geezers who were around for the 70s actually like that. Like every Van Morrison album from that era, Blood on the Tracks, early (good) Springsteen--those are all 70s "singer-songwriter" albums. It definitely won't appeal to certain heads who have a pretty set idea of what Bob should sound like, but it's not nearly as bad as the negative reviewer below believes it.

Sunday, August 26, 2012

Bob Wier- Ace

Ace
The album says Bob Weir, but this album is purely Grateful Dead! All of the songs (except for the underrated coulda-shoulda-woulda been counterculture anthem "Walk In The Sunshine") on this album go on to become staples the Dead's live shows. But just like "Workingman's Dead" and "American Beauty", "Ace" provides a snapshot into what these great tunes sound like in the studio.

The horn section on "Black Throated Wind", "Mexicali Blues", and "One More Saturday Night" really add a new dimension to the Dead sound that unfortunately would not be explored much furthur (yes I mean to spell it that way).

This album isn't lacking in jams either, this studio version of "Playing In The Band" (which improves greatly over the short version on the "Skull and Roses" album) includes a middle jam section that is just as satisfying as every other live version released.

If you liked the "Garcia" and "Rolling Thunder" albums, you'll be especially pleased by this set. For Dead studio completists, this provides a perfect bridge between their sound on "American Beauty" and what they would sound like on "Wake Of The Flood".

Thursday, April 5, 2012

Bob Wier - Kingfish

Kingfish
Kingfish has gone through numerous changes over the years, but this album featured both Bob Weir of the Grateful Dead and Dave Torbert of New Riders of the Purple Sage. Musically, as might be expected, it strongly resembles a cross between "Panama Red"-era NRPS and "Heaven Help The Fool"-era Bob Weir. Originally issued on vinyl on the long-defunct "Round Records" label, it was basically a Bob Weir side project-- though he left the band shortly after and they carried on for years without him. Although I have an original vinyl copy, it had actually been a long time since I'd heard this album. And I had forgotten just how great it really is. It's been a while since I have so thoroughly enjoyed revisiting an old favorite. The musicianship is top notch-- even better in fact than I remembered-- and the songs are all great too. Not a dud in the bunch. No, it's not terribly profound... no deep meaning to most of it. Bobby even covers the old Marty Robbins chestnut "Big Iron" (and he does a helluva job on it, too!). Mostly it's just nice listening, an excuse to have a good time for about 40 minutes. And a couple of the cuts became concert staples for the Dead, so you'll probably enjoy hearing the originals. Overall a great listen, and I'd highly recommend it for anyone who likes the Dead or NRPS. (On a side note, Rhino simultaneously re-released this and Bob Weir's excellent "Ace" album-- actually a Grateful Dead album in disguise-- which contains my personal favorite recorded version of "Playin' In The Band". Pick 'em both up!)