Byrds-Live at Royal Albert Hall

Live at Royal Albert Hall

Well, this track listing looks like all the usual suspects are present: "Mr. Tambourine Man", "Eight Miles High" & "My Back Pages", but be prepared to be a little surprised with a fresh acoustic take on "Tambourine Man" and the longest and finest captured version of: "Eight Miles High", where it all sounds 'On' at long last! {sorry "Untitled" fans, this one has a better flow and soars above the Felt Forum version from 1970}.

Why is this considered the best live bunch of: "Byrdmen"? Well, Roger McGuinn and Clarence White get much {and they have earned it!}praise for the meshing of their guitar playing styles{Folk-Rock meets Bluegrass-Country}, but the real secret weapons of this CD are found in the bass playing of Skip Batton and the percussion of Gene Parsons. This is a tight rhythm section that holds this all together and always plays interesting passages that entertain but never bore. The jam on "Eight Miles High is focused and stands the test of mulitple plays because these guys know WHAT to play and they know WHAT NOT to play. Like the best jazz musicians these Byrds can Fly, and they Fly high on this night in London.

There is a lot of musical history covered here in these 19 Songs. From the traditional a cappella rendition of: "Amazing Grace", just like it would have sounded in a small church 150 Years ago, on to the space/country of: "Mr. Spaceman" that takes such an refreshing take on this 1966 hit that it's almost like a brand new tune. The album tracks: "I Trust" and "Truck Stop Girl" blow their studio cousins right outta the water and sound so good here. It has been a while since a live album has been this great from start to finish {with the exception of the live CD by Gene Clark: "Silverado 75", released in May of this year}.

Fly back to 1971 to the Royal Albert Hall in England to be amongst the flock at the Byrds concert. Listen to the 19 tunes on this Live CD and travel to the past as if it never left. Adding ringing electric guitars to Bob Dylan songs, the Byrds helped invent folk-rock, as well as becoming early proponents of psychedelia and popularizing country-rock with the help of alt-country saint Gram Parsons. Led by Roger McGuinn and his distinctive Rickenbacker guitar sound, the mid-1960s lineup--also featuring David Crosby, Gene Clark, and Chris Hillman--achieved fame with their unique take on Dylan's "Mr. Tambourine Man." Personnel changes resulted in a core band of only McGuinn and Hillman. Ultimately, McGuinn assumed full control of the Byrds legacy, and their harmonies and jangly guitars have influenced countless younger bands.